An recent term came to light several months after the start of the intensive bombing of Gaza by Israel. Labeled WCNSF, it means “Wounded child, no surviving family”. This term is unique to Gaza, per insights from health professionals such as paediatricians. Normally, it is unusual for physicians to care for a young patient who has lost their whole family. However, there has been absolutely nothing ordinary concerning the genocide in Gaza, where entire family lineages have been obliterated and the number of young amputees exceeds that of anywhere else in the world. No sense of normalcy in scores of doctors coming back from a sea of ruins with accounts of children being deliberately targeted.
Conditions in Gaza persist as a profound humanitarian disaster. Vital medicines and equipment are failing to reach those in need, and international watchdogs have stated that atrocities are still being committed. Officials has denied these accusations, just as it denies each claim it is charged with. Meanwhile, while traumatised orphans are now enduring frigid conditions in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the Eurovision from continuing with its declared purpose of “togetherness and artistic sharing.” The contest will continue to roll out a prestigious stage for Israel, although several European countries have now pulled out in protest. Since this, we are told, is what international harmony manifests as.
The contest, notably banned Russia from taking part in 2022 over the “grave situation in Ukraine”. However, the situation in Gaza appears to be completely different.
Disregard the reality that Israel was criticized for irregular participation methods last year in what appears to have been an bid to manipulate Eurovision. Forget the fact that a toddler was reportedly killed in Gaza recently. Neglect the data that settler violence and systematic expulsions in the West Bank have escalated. Disregard the condition that global media are still blocked from independent reporting in Gaza. None of this, it would seem, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.
The contest turns 70 next year – nearly twice the current lifespan of a person in Gaza now. The event will proceed, but it will find it impossible to reclaim the pure, unadulterated fun it once represented. An institution that initially championed harmony has now become a blatant mechanism to whitewash war.
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